The lemon still life that I'd painted in Maine last summer has had its reimagining to a 30 x 40 painting. When I started it, below, the painting was rough and energetic. Although I wanted to create a more open still life than the original set up, and I think I've done that, I miss the roughness of the sketch and the study. I though it was done, left, but not sure now. Something I will keep pondering.