The view in every other direction included a stream, rocks, trees, a bridge... and the jockeying of artists for a "good" spot left me with a view of the parking lot. Walt Bartman has passed along the advice (I don't know who said it first -- Charles Hawthorne?) that you should pick the pretty scene you want to paint and then turn around and paint what's behind you instead. So, I was facing a parking lot.
The low horizon was a big departure for me, as was filling most of the canvas with the sky. I had initially painted the cars in a bit more detail, not a lot, but ended up with just the suggestion that they were there.