![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilBOvTlZKrtPdtb2Ez_Q52Dmb3NFE77oEK280QUBQ09EPpgYDnRTH7wqU5Un4fAltTHS7etm2rhAHpS6bLELwik4VXUzk7SkwSjtS1myXCzC6mVO18P3BDSTIJOehNI7DKjKIzzPAzneU/s400/IMG_1224.jpg)
The view in every other direction included a stream, rocks, trees, a bridge... and the jockeying of artists for a "good" spot left me with a view of the parking lot. Walt Bartman has passed along the advice (I don't know who said it first -- Charles Hawthorne?) that you should pick the pretty scene you want to paint and then turn around and paint what's behind you instead. So, I was facing a parking lot.
The low horizon was a big departure for me, as was filling most of the canvas with the sky. I had initially painted the cars in a bit more detail, not a lot, but ended up with just the suggestion that they were there.
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