Paris, backlit museum-goers

I was in Paris, the trip was too short to sketch or paint more than one quickie on-site.  I came home with images to paint from and started this large oil sketch on illustration board this week.  I started with a blue underpainting and I'm very slowly building from there.

Mural Final

Installation will be May 21 in NYC!  Here's me and my partner-in-hardware, David Goldberg with the final work

Mural Project for NYC Education Center

Starry Night in Hardware by David Goldberg

conception of what the finished work will look like installed

I've been working for the past month on what will be a mural installed in an education center in NYC.  The mural will feature the Empire State Building, made out of door hardware!

The creator of the "Starry Night" mural in Bethesda, David
Goldberg, used hardware from his family's business to create Van Gogh's swirling painting.  He was commissioned to create this new work and asked me to work on it with him.  Unlike "Starry Night," this work will have a lot of paint showing!

I have been posting to my instagram (not surprisingly, its judygilbertlevey) in a story with every step of the way.

The project is being done on 2 panels which make up an 8' x 7' PVC surface.  PVC is not easy to paint on!

I've used a primer to set the work up for acrylic paint and it seems ok.  I wouldn't go as far as great, but it's working, just taking longer than I expected.

We've done many, many different layouts of the hardware, and adjusted the paint accordingly.

Today I think we may have settled on the finished hardware layout and tomorrow, if all goes well, the panels will be put back together so I can adjust.

This is what the hardware layout looks like

this panel is "done" 

Hiking & Painting in Montana

It was a warm-ish day in Montana earlier this week, so I put gouache paint into my backpack and did a short hike to the South Fork of the West Fork of the Gallatin River, where I knew a bench would be waiting for me.  I attracted a fair amount of attention from other hikers, and had a gorgeous day painting the snow and water and trees.

I'm pretty new to gouache painting and was using the gouache that's based in gum arabic.  I'd be warned that, like watercolor, the paint would lift as additional layers were applied.  I definitely experienced that, particularly when I was painting the trees and trying to deepen the green where it was in shade and almost silhouetted against the bright sky.  I'm going to try "acryla" gouache in the future, as that's got a different base and performs (apparently) more like acrylic paint and doesn't lift once it's dry.

Connie Morella Library Exhibit, Bethesda

I'm  the featured artist at Connie Morella Library, Bethesda MD this month -- you can check out the exhibit at 7400 Arlington Road, Bethesda.   The paintings on display are paintings of Montana, Metro  escalators and NYC.

Lone Mountain Oil Sketch

I am headed back to Montana to do some painting, and to get my head in the right place, painted a little sketch in oil of Lone Mountain.  It's the ski hill that looms over Big Sky.

Dog Portrait Commission

I had a dog portrait commission that was given as a surprise gift this month. Today I got to see a photo of it in its new home!

From Study to Larger Painting of Montana - updated!

work in progress

final painting

I did the small painting months ago and now I've taped it to my easel so I can use it as a reference for the creation of a larger painting.

The study was done in oil paint on multimedia artboard, which is a resin and paper product that doesn't absorb paint.   Working now on canvas, I'm struck by how much more building is required to get a depth of paint and color.

That said, I like the study's narrower range of values --  having been tempted to have greater contrast, I can see now that the next thing I have to do is reduce the contrast and get back to the balance of values that I liked in the study.

The mountains in the study are in purples and blues.  I'd started out the painting with those colors, repainted in a range of greens... and now I think I want the purples and blues back.  Stay tuned.

Afternoon on a hill in Boston

I'm struggling to work out the strong light effect vs the very large facade of the house that's in shade. Details in the shade shouldn't attract much attention, much less be included at all.  Yet, I find the large side of the house didn't play as a strong, solid mass when I left all of the details out.  It just looked unfinished, as the remaining painting did have a sense of smaller shapes representing details.

I am taking a week off soon and I'll be letting this sit in this state for now.  When I come back, maybe it will be clear to me how to resolve this.

City Scene and color

I painted a NY City scene earlier this year and I've been thinking a lot about how that painting didn't expand the sense of color.  I've been playing with a larger and more colorful iteration of the scene and I'm either done or close to it.

here's the new version, 18" x 24"

this is the smaller, earlier painting of a similar scene